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Discovering Form in Photography

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Discovering Form in Photography

There are many elements of design, which include shape, line, pattern and texture. When combined, we experience form within a two-dimensional media. Each of these can make or break a photograph. I consider them equally important, but I look at the element of form as the most important element of art.

Forms are defined by their lines, shapes, and volume. Lines define the subject and determine its shape. Volume, from front to back, top to bottom and side to side, along with complimenting light is what makes a photo three-dimensional.

Photographing form can be capturing an overall contour of a three-dimensional object - say, a flower or composing an image from an unusual perspective and capturing its shape in an abstract way.

"Writers of light do it as well; they transform shape, line, color, pattern - passionless components - into photographs that grasp, delight, repulse, or inspire. Their work bestows life" - Anonymous

Lines

First and foremost, lines border our photographic object and, therefore, define its shape. Secondly, they effectively lead a viewer into and through a photograph. Naturally, when a viewer explores a photograph, his eyes move along the lines within or along the edges of an object. Compositional lines successfully used in photography pull the viewer into the photograph, either towards the main subject or through the scenery. Lines can be straight, vertical, horizontal, diagonal, curved or converging. Used effectively, each can have a positive impact, enhancing a photograph and creating a mood. A horizontal line appears static and is passive. It can convey quietness, but also can be boring. Diagonals are dynamic and convey movement, steering ahead and moving forward. Often a line from the bottom left to the upper right corner is considered positive, from bottom right to the upper left corner negative. Vertical lines appear strong, solid, and vital. A curved line has a >>> Learn More